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However, in terms of quality, it’s stunning, and there are some reasonable upgrade offers. So, in that sense, it’s a little disappointing that it’s been downsized.

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If you knew about the original MiniLab, you might know that it came with a full version of Analog Lab and around 5000 presets. Analog Lab Lite is a collection of 500 presets, which sounds pretty huge, and the sound quality is utterly outstanding. The sounds come from Arturia’s flagship V Collection of stunning virtual analog synths. Let’s be clear first of all, it comes with Analog Lab Lite, and under any circumstances, that’s outstanding.

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Software bundle 4.0ĭepending on your experience with Arturia controllers, the software bundle will either blow you away or be a little underwhelming. It’s still light and portable, but the extra weight gives it the presence of a serious bit of gear. The MiniLab MkII is around 50% heavier than the previous model, and that’s not a bad thing. All of the buttons, pads, and encoders feel premium for the price range, too.

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The structure feels rigid enough and doesn’t creak and crack as much as most when moving it around. Plastic is pretty standard, but there’s still a significant improvement from the first generation MiniLab. They are small and relatively cheap, so it makes no sense to manufacture them with heavy-duty materials. Build quality 4.5īuild quality is an area where you have to come and go a little with keyboard controllers this size. Clearly, you aren’t going to play expansive piano parts on two octaves, but the keys’ feel very good, responsive, and expressive. There is a noticeable upgrade in the quality of the keybed. The only slight issue with the pads is that it’s often more awkward to finger drum with a single row of either, rather than two rows of four stacked. The RGB pads are ideal if you use samples in your live show or include any finger drumming. It’s especially effective because you have so many assignable controls to shape your sound on the fly. Essentially, it would be like having a dedicated hardware synth on stage without the weight and expense. If you use a larger keyboard controller for piano-style playing, you can assign the MiniLab MkII and a soft synth to a different MIDI channel. The MiniLab MkII makes an excellent addition to a live setup because it’s the perfect size for a dedicated synth bass or lead. Many performers use a laptop on stage so they can use effects plugins or virtual synths, etc.

Also, the workflow it provides means that if you have a laptop and your MiniLab MkII, you have a powerful studio anywhere you go. For a start, it’s small, so it’s easy to take around wherever you need it. Some qualities that make the MiniLab MkII great in the studio also make it great on the road or the stage. The only real limitation is when you need more keys. Overall, it provides a full hands-on workflow, which is fantastic.

Having the pads allows you to program drums, percussion, and samples in a more intuitive way, and they feel great. Whether you are creating a template or a final production, the MiniLab MkII lets you do that. But, whatever size of studio you have, the best way to start a project is often through a single device. As you can see from what we said about DAW integration, the MiniLab MkII helps you build an efficient workflow.įor home studios, it’s great for small rooms where you don’t have a lot of desk space. Whatever DAW you use, the key to being productive is an efficient workflow. The MiniLab MkII is extremely popular amongst home studio producers, but you’ll find them in high-end studios, too. There are no basic transport controls, but given the controller’s size and everything else on offer, that’s no problem. It’s highly unlikely that you will ever use an effects plugin or virtual instrument with too many parameters for the MiniLab MkII to handle in real-time.

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The encoders are already pre-mapped to the included software, and the push encoders make browsing and selecting presets quick and easy.īeyond the included software, you are free to map the encoders and touch strips as you like, using your DAW’s MIDI Learn function. It’s a huge amount for such a small controller, encoders one and nine double as push-buttons, making them multi-function. We have to start with the 16 assignable encoders we just mentioned when it comes to DAW integration. One of the best things about the MiniLab MkII is that it has 16 assignable rotary encoders. There are eight RGB backlit pads with aftertouch that allow you to trigger up to 16 samples using two banks. Above the sliders are some octave buttons, a pad bank switch button, and a multi-function shift button.

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